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Halls told a detective that he recalled seeing three rounds inside but could not recall whether Ms. When the cast and crew got back from lunch that day, Ms. Then he would call out “cold gun,” signaling to the crew that the gun did not contain live rounds. Gutierrez-Reed to show him the gun so he could check its barrel for obstructions, and for her to then open the revolver and spin it so he could see the contents of its chambers. Hutchins told a friend, Dan Frenkel, over the phone that there were labor tensions but that she thought they could work through them. “She was very passionate about what we were all doing,” he recalled.
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Hutchins, the cinematographer, bonded with members of the crew, taking some out for sushi after a long day of work. The lawyers charged that “the whole production set became unsafe due to various factors, including lack of safety meetings,” and suggested that others had been responsible for previous accidental discharges on the set: “The first one on this set was the prop master, and the second was a stunt man after Hannah informed him his gun was hot with blanks.”Įven as the tensions brewed, one former “Rust” crew member said, Ms. Gutierrez-Reed was working two different jobs on the film, “which made it extremely difficult to focus on her job as an armorer.’’ (The production did not immediately respond to a request for comment on the statement.) Gutierrez-Reed’s lawyers, Jason Bowles and Robert Gorence, said in a statement Friday that Ms. He said there had been concern about the limited experience of the film’s armorer, who was in charge of the weaponry on the set: Hannah Gutierrez-Reed, who was 24 years old and just starting her career as a head armorer. And just days before the fatal shooting, at least two accidental gun discharges on set had put crew members on edge. Tensions on the set of “Rust” were building, though. Baldwin posted an Instagram video - filmed from Santa Fe - in which he urged the rank-and-file members to strike if they were unhappy with the deal. Baldwin was not only the star of the film, which was expected to cost about $6.5 million to make, but one of its producers, along with Ryan Winterstern, Matt DelPiano, Anjul Nigam, Ryan Donnell Smith and Nathan Klingher.Īfter the union’s leaders reached a tentative agreement with the studios, Mr.
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Baldwin had arrived on the set about a week after filming had started in early October, and had spent time working on his horseback riding, rehearsing scenes and practicing with guns, including trying to simulate the recoil that is missing when live rounds are not used. The union, the International Alliance of Theatrical Stage Employees, voted this month to authorize a nationwide strike if talks failed. As “Rust” went into its second week of work on location in mid-October, the union that represents members of film crews was negotiating a new contract with production studios. The tensions on the set came amid a broader national labor battle over working conditions in the industry. In fact, investigators said, it was loaded with a live round. The crew had been assured the gun was “cold,” meaning it held no live ammunition, according to court papers. 45 Long Colt revolver from a shoulder holster and moved it toward the lens of the camera. Baldwin, 63, who was seated on a pew, to practice his scene: a close-up of his hand as he slowly reached across his chest, drew a. The location is on a sprawling ranch outside Santa Fe, where Hollywood has been sending some of its biggest actors to don Stetsons and leather holsters to film westerns since 1955, when Jimmy Stewart made “The Man From Laramie” there.Īs light poured through the church’s windows, casting slanted rays in the dust that swirled over the pews, a shadow fell, and the crew had to adjust the camera angle. Members of the small crew - including the director, cinematographer, cameraman and script supervisor - clustered around Mr. Marshal, and decides to shoot his way out. SANTA FE, N.M - Alec Baldwin was on the set of his latest film, a low-budget western called “ Rust,” working on a scene in which his character, a grizzled outlaw named Harland Rust, finds himself in a small wooden church, cornered by a sheriff and a U.S.